Much of the material came from his new Decca album, a repackaging of two of his recent discs: “Playing the Piano,” a collection of solo reveries, and “Out of Noise,” a grittier project involving dissonance, environmental ambience and contributions from other performers, including the English viol consort Fretwork and the Austrian electronic musician Christian Fennesz. Sakamoto’s concert, part of an eco-friendly American tour. ![]() Apart from being a skillful keyboardist, he is a pop-culture hero in his native Japan, a composer of film scores and symphonic works, a record producer and entrepreneur, an actor and, most recently, an environmental activist.Įlements from all those roles surfaced in one way or another during Mr. ![]() Sakamoto, 58, is a figure whose renown encompasses a plethora of disparate activities. ![]() Can a concert be too beautiful for comfort? The question seemed pertinent for a long stretch of a rare local performance by Ryuichi Sakamoto in the Skirball Center for the Performing Arts at New York University on Monday night.
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